Motion Design

Broadcast

Coach Prime

Lumina — abstract editorial print design spread

Year

2024

Client

Amazon Prime

Services

2D/3D Title Animation, Show Graphics Package, Rotoscoping, Motion Tracking, Logo & Object Removal, Compositing & Cleanup

Overview

Chomp Studio built the show's complete visual identity: title sequence, full graphics package, and episode-wide VFX cleanup whenever logos, equipment or crew needed to be removed.

Chomp Studio built the show's complete visual identity: title sequence, full graphics package, and episode-wide VFX cleanup whenever logos, equipment or crew needed to be removed.

Lumina project detail visual
Lumina project detail visual

The Challenge

Beyond a cinematic opening sequence, the show needed a consistent visual system carried through every episode: photo treatments, locator text, lower third, while key footage across the season needed crew, gear, logos, and background distractions removed, all without a reshoot.

Beyond a cinematic opening sequence, the show needed a consistent visual system carried through every episode: photo treatments, locator text, lower third, while key footage across the season needed crew, gear, logos, and background distractions removed, all without a reshoot.

The Outcome

A complete visual package delivered across multiple episodes: animated 2D/3D titles, the show's full graphics system: photo treatments, locator text, lower thirds, plus rotoscoping, motion tracking, and cleanup throughout.

A complete visual package delivered across multiple episodes: animated 2D/3D titles, the show's full graphics system: photo treatments, locator text, lower thirds, plus rotoscoping, motion tracking, and cleanup throughout.

Process Notes

Like most projects, this one started with concepts and storyboards. From there, we brought those ideas to life through 3D, 2D, and compositing, working to lock in a look that would carry across the footage and the title sequence. That gave editors plenty of raw, uncolored footage and options to cut together an impactful sequence. Once the sequence and tone were locked, we brought everything into After Effects for color grading, rotoscoping, VFX, and compositing to give it a defining look and bring the graphics package to life. Rotoscoping and object removal ran throughout the season to keep every shot clean.

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